Wednesday, May 15, 2024

"Black Widow"


Another true tale of la vie de la bohème by Dan Leo

Illustrations and additional dialogue by rhoda penmarq, exclusively for quinnmartinmarq™ productions

This episode is brought to you by Husky Boy™ cigarettes, now available in the new "Ladies' Ultra Slim Cork Tip", in your choice of four vibrant colorways: Passionate Pink, Marvelous Mauve, Vibrant Violet, and our newest addition, Elegant Ebony

"The first thing my dresser hands me after a show is a soothing Husky Boy Ladies' Ultra Slim Cork Tip!" – Hyacinth Wilde, star of the Demotic Theatre's smash new production of Horace P. Sternwall's Canyons of the Lonely Heart

for previous story, click here

to begin series, click here





There was one empty stool at the bar, and Milford claimed it.

Milford may have been young, but he knew the routine.

The first thing you did when you took a stool at a bar was to take out your cigarettes and light one up, and this Milford did, adding his own smoke to the smoke that every single other person in this barroom was emitting. And after that first satisfying exhalation it occurred to him that of all the smoky bars he had ever been in, this was undoubtedly the smokiest, which was fine by Milford.


There was only one rule in a severely smoky bar, and that was never to rub your eyes, because then you were only rubbing the microscopic smoke granules deeper into your eyeballs, causing them to burn and flood with hot tears, and obliging you to make haste to the men's room in order to rinse your globules of vision copiously with cold water so that you could return to your seat and fire up another cigarette.

"Haven't seen you in here before," said a man to Milford's right.

"No, this is my first time," said Milford.


"I daresay it won't be the last," said the man.

His face was long and depressing, the skin the color of old paper, with one of those ugly weak goatees with the pale flesh showing through the thin whiskers, less convincing than the fake goatees that aristocratic art dealers and sadists wore on the stage and in films. On his head was a beret the color of soot, and he wore a tweed topcoat, the shoulders sprinkled with dandruff. Around his neck was a scarf, black like the beret, but with a greasy sheen.

"Pray do not look on me with disgust," said the man.


"I wasn't," lied Milford.

"I was once young like you."

"I don't doubt it," said Milford.

"Now I am the eternal 40-year-old, but the sort of 40-year-old who already gives off a faint odor of the sepulcher. Am I to be reviled and shunned for this?"

"No," said Milford.

"Just you wait, your time will come."

"I'm sure it will," said Milford, "unless I die first."


"Ah ha!" said the man, baring yellow jagged teeth. "Spoken like a true lost poet!"

He glared through the smoke at Milford with eyes that were bloodshot and milky at the same time.

"What do you want, buddy."

This was said by a bartender, or at least a big man pretending to be a bartender. He wore a red vest and a bowtie, and his face was bloated and shiny with a thin sheen of oil.

"I don't want anything," said Milford.


"You can't just sit here and take up space," said the bartender, or the man pretending to be a bartender.

"Do you have sarsaparilla?" asked Milford.

"No, we don't have fucking sarsaparilla," said the bartender.

"How about a ginger ale?"

"What are you, one of these reformed drunks?"

"Yes," said Milford.


"Well, fuck you," said the bartender. "Order a real drink or get the fuck out."

"Okay," said Milford. "I'll go."

"Wait, Thumper," said the man with the goatee. "I'll buy him a real drink. How about a ginger ale but with a nice shot of rye in it, my friend, just to give it a bit of oomph?"

"No thanks," said Milford.

"Bourbon then. Bourbon and ginger. A classic American libation."

"I don't drink alcohol."


"You look drunk to me," said the man.

"Well, it's true, I did drink a bit tonight, without really meaning to, but I also ate the sacred mushrooms of the Indians and smoked hashish."

"Well, that it explains it then," said the man. "Thumper, bring my friend what I'm drinking, and I'll pay for it."

"Fine," said the bartender impersonator, and he went away.


"Thumper gets testy," said the man. "It's hard serving poets, but it's especially hard serving lost poets."

"Yes, I imagine it is," said Milford.

"My name is Ezekiel Montayne," said the man, offering his hand, which was thin and pale, with tiny black hairs like spider legs on it.

"Oh, hi," said Milford, reluctantly shaking the man's hand. It felt like shaking a dead lizard, and Milford withdrew his own hand as quickly as he could.


"I don't blame you for recoiling from my touch," said the man who had given his name as Ezekiel Montayne. "I would too, were I not I. Imagine how I feel, encased in this prison of flesh?"

"Yes, it must be hard," said Milford.

"You don't know," said this Ezekiel Montayne. "No one knows the horror I experience simply by being me."

"Here's your 'libation'," said the bartender, and he set down a glass with something yellow in it, with a thin layer of yellow-white foam at the top.


"What's this?" said Milford.

"What's it look like?" said the bartender.

"Beer," said Milford.

"Bingo," said the bartender. "Give the man a prize. That'll be a nickel, Ezekiel."

"Oh, yes," said Ezekiel. He reached inside his topcoat and into his trousers pocket and brought out a small change purse made out of faded purple cloth. He clicked it open, took out a nickel, and laid it on the counter. The bartender picked it up.


"Thanks, big spender," said the bartender, and he went away again.

"See?" said Ezekiel. He clicked his purse shut. "He said thanks. At least he's polite." He stowed his purse back in his pocket. "Go ahead, drink your beer, pal."

"I've already said I don't drink."

"It's only beer. Look, I'm drinking one." He pointed to a half-full glass in front of him, picked it up, and took a sip. "Mm, so refreshing."

"I'm not supposed to drink. I'm an alcoholic."


"Well, so am I, but I'm drinking," said Ezekiel. "You don't see me making a big deal out of it."

"Maybe I'd better just go," said Milford.

"You would insult me by refusing a beer I purchased for you?"

"You drink it."

"But I bought it for you. Why do you want to make me feel bad? Don't I feel bad enough simply by existing? And you would make me feel worse?"


"Oh, Christ."

"One little glass of beer is not going to kill you."

Milford gave a quick sigh, the twelve-thousandth-and-twenty-third sigh of this seemingly endless day and night, and then he lifted up the glass in front of him and put it to his lips and drank. He drank approximately one-third of its contents and then put the glass back down.

"Well, how was it?" said Ezekiel Montayne, showing his yellow teeth in a hideous smile.


"Superb," said Milford, even though it tasted no better or worse than any other beer you got in a bar.

"I'm so glad you like it," said Ezekiel. "It's the house brew. Lost Poets Lager. Get it? This bar is called the Island of Lost Poets, and the house beer is called Lost Poets Lager."

"Yeah, that's pretty clever," said Milford.

"What's your name?"

Milford sighed for the twelve-thousandth-and-twenty-fourth time since falling unwillingly into wakefulness that morning.


"I prefer just to be called Milford."

"Oh," said Ezekiel. "What's your real name?"

"My real name is Milford, but it's my last name, and before you can ask me, my first name is Marion."

"And that's why you prefer to be called Milford."

"Correct."

"Because Marion is a feminine name."

"It can be, yes."


"I would say it usually is."

"Just call me Milford."

"Okay, Milford."

"He's not queer, Ezekiel," said a woman's voice to Milford's left.

Milford turned. The voice apparently belonged to a woman all dressed in black, with a tiny black pillbox hat on her head.

"What?" said Milford.

"I was telling Ezekiel you're not queer."


"Oh," said Milford.

"So he should give up."

"You meddling intrusive bitch," said Ezekiel, to the woman. "I was only trying to be friendly with the young chap."

"We all know what that means, Ezekiel," said the woman.

"How dare you."

"The boy walks in here, and before he can even order a drink you're trying to seduce him."


"Pardon my French, but you're being a frightful C-word, Margaret."

"Don't call me a C-word, you desiccated ponce."

"Desiccated am I? No more than that Gobi Desert you call your womanhood."

"Come on, chum," said the woman to Milford. She polished off the drink she was holding, then slipped off her stool and tugged at Milford's arm. "Grab your beer and come with me."


"Where are we going?" asked Milford.

"Anywhere away from this two-bit poofter. Let's go. Don't forget that beer. And your cigarettes and lighter."

"You frightful twat, Margaret," said Ezekiel. "There, I said it, twat, and I don't regret it."

"You're a bigger twat than I'll ever be, Ezekiel," said the woman, and to Milford she said, "Don't forget your cigarettes and lighter, honey."

Milford scooped up his pack of Husky Boys and his lighter, stuck them in his peacoat pocket, picked up his beer and got off his stool. He was afraid of the woman, but he was more afraid of Ezekiel.


"Nice meeting you, Milford," called Ezekiel.

At least he had remembered his name, thought Milford.

"Well, thanks for the beer," he said, now feeling slightly sorry for the fellow.

"You're so very welcome," said Ezekiel. "Oh, and by the way, if it comes to that, I implore you, please use a condom, for your own protection if not for Margaret's."

"Asswipe," said the woman, apparently named Margaret, and she took Milford by the arm and pulled him away.

Could this be it? wondered Milford. After all the travails of this endless day and night, could this at last be his chance to divest himself of his virginity?

As the woman pulled him along through the smoke, through the vague babble of voices and the recorded voice of a lady singing a sad song, he stole a glance at her.


She was almost the same height as Milford, but then Milford was not tall. Her grip on his arm felt strong, probably stronger than Milford's were he ever to grip something, which he had never done. Her skin was the color of snow, the hair under her small black hat was also black, falling to the shoulders of her black dress. Could she possibly be a nun of some sort? It was a matter of indifference to Milford if she were a nun, he held all religions in equal contempt. She looked older, perhaps thirty or even thirty-five, but this also did not matter to Milford. Surely it was better to have his first time be with a woman who actually knew what she was doing. He hoped she would be patient, and perhaps even kind.

They came to a small round table in a corner, it looked like the only empty table in the room.

"Okay," she said. "Sit down."


"May I help you with your chair?" said Milford, who had seen this maneuver in films and plays.

"I can pull my own chair out," she said, and she did, and sat down. Milford was not a very observant fellow, and so he only now noticed that she carried a handbag, which seemed to be made of black leather, and which she put on the table and clicked open, taking out a black-and-sliver cigarette case and a thin ebony lighter. She looked up at him.

"I told you to sit down."


"Oh, sorry," said Milford, and he pulled the empty chair out and sat, putting his beer glass on the table.

"My name is Margaret Blackbourne," said the woman. She opened the cigarette case and took out a black cigarette with a shiny silver-colored filter. "They call me the Black Widow, but please do not be put off by that."

Milford quickly started to dig his cigarette lighter out, but she beat him to it, lighting herself up with the lacquered ebony lighter.

"I haven't ever actually killed one of my lovers," she said, exhaling a cloud of smoke into the greater cloud of smoke all around them. "Not yet I haven't, anyway."




Wednesday, May 8, 2024

"The Island of Lost Poets"


Yet another true tale of la vie de la bohème by Dan Leo

Illustrations and additional dialogue by rhoda penmarq, exclusively for quinnmartinmarq™ productions

This episode sponsored by Husky Boy™ cigarettes

"A good book, some nice music on the radio, a cold can of beer, and a Husky Boy cigarette – what more has life to offer?" – Horace P. Sternwall, author of The Alleyways of My Mind: Sundry Essays

for previous story, click here

to begin series, click here





You okay?" said Stoney.

"Yes, I think so," said Milford.

"You're not going to fall over?"

"I hope not."

It was so strange, talking to one's alter ego like this, but the strange had now become normal for Milford. He took a deep breath.

"You ready?" asked Stoney.

"Yes," said Milford. 


"Don't forget your cigarettes. And your lighter."

"Oh, right, thanks."

Milford picked up the pack of Husky Boys and his lighter from the bar top, put them in his peacoat pocket.

"Good," said Stoney. "Now let's go."

Milford glanced over at the dance floor. Mr. Whitman and Miss Alcott were still dancing, vigorously.


"Don't worry about them," said his alter ego. "They're having a good time."

Milford wished he could have a good time.

"Well, keep wishing," said Stoney. "Maybe it'll happen someday."

"You heard what I thought," said Milford.

"Of course I heard it. I am you, remember?"

"Oh, yes," said Milford.

"The better part of you."


"Yes, I can see that."

"Unfortunately not the dominant part."

"Yes, I am aware of that also."

"Why are you still standing here?"

"No reason. Or, rather, a host of reasons, too many to go into in less than four hundred pages of densely printed text."

"That was funny," said Stoney. "Now move it."

"I still feel bad about just leaving like this, without a word to Miss Alcott."

"Oh, my God. Look," said Stoney. "wait here. I'll go over and speak to her."

"You will?"

"No problem. Stay right here, don't talk to anybody, and I'll be back in one minute, maybe two."


Stoney ambled confidently over to the dance floor, as the singer of the minstrel band sang.

I'm gonna jump up on that railroad train
gonna sleep in that freight car again
gonna go to Californy and jump in the ocean
gonna drown my troubles and my pain…

"Hello there," said a man with great bushy sideburns who was sitting to the right of the stool Milford had just gotten up from.

"Oh, hi," said Milford.


"My name's Longfellow. Henry Wadsworth Longfellow? Maybe you've heard of me."

"Uh, yeah, sure," said Milford.

"You don't seem so sure."

"No, I'm sure."

"Then who am I?"

"A famous poet?"

"Correct. Can you name one of my poems?"

"Uh, 'The Midnight Ride of Paul Revere'?"


"Close. The actual title was simply 'Paul Revere's Ride'."

"Sorry."

"I saw you talking with Whitman and Alcott."

"Yes."

"May I know your name?"

"Only if you won't make fun of it."

"I promise not to."

"Marion Milford."


"Marion?"

"Yes. You can blame my mother for that."

"You poor lad. I'm guessing you're a poet too."

"Yes, but I'm a bad one."

"Admirable modesty. May I buy you a libation?"

"No thanks, I was just going."

"A pity. We see so very few living poets in here. May I give you some advice?"


"Sure."

"Enjoy your life while you're alive. It doesn't last."

"Thank you."

"No, thank you for knowing who I am, and for knowing at least the title, sort of, of one of my poems."

"You're welcome."

"Makes me think that my time in the land of the living was not entirely misspent. May I shake your hand, young sir?"


The sideburned man offered his hand and Milford took it. The hand was dry and seemed almost insubstantial, like papier mâché. Milford shook it gently, so as not to crush it, and the man looked at him with eyes like distant clouds at sunset. He turned away and picked up his drink, which seemed to be red wine of some sort.

Stoney was back.

"I told you not to talk to anybody," he said, in a stage whisper.

"I'm sorry," said Milford. "It couldn't be helped. He introduced himself to me."


"Whatever. Look, I spoke with Miss Alcott, explained to her that you were very tired, and extremely high, and a little drunk, and that you really thought it best that you leave."

"What did she say?"

"She said she understood."

"What did Walt Whitman say?"

"He said that when he was a young lad in Brooklyn he would drink and dance until the taverns closed and then go out and take a good long swim in the river. He said you were a lightweight, and he was disappointed in you."


"And then what?"

"Then they resumed dancing."

"Oh."

"Listen, Milford. You have to learn, people are not staying up all night worrying about you and your little problems."

"Oh."

"They have their own worries, okay? Their own concerns."


"They don't care."

"Yes, I guess you're right."

"They're not thinking about you."

"Right."

"I get it."

"They don't give a shit."

Milford said nothing. He got it.

"Okay," said Stoney, "now let's go."


And finally Milford cast his corporeal host away from the bar, in the direction of the exit.

He made it to the door without further incident, he opened the door and went out into the corridor, the door closed behind him. He could still hear the music, the singing, and the muffled babbling of voices. 

He realized he was alone again. Stoney had gone back to wherever he came from. 

He started walking along the dim corridor. He had no idea how to get out of this place, but he figured as long as he kept going he must reach the street again, eventually.


He stopped.

He wondered if Stoney had really spoken to Miss Alcott and Mr. Whitman. If Stoney were actually he, and he, Milford, had remained at the bar, talking to Henry Wadsworth Longfellow, how could Stoney, if he was really he, Milford, simultaneously be talking to Mr. Whitman and Miss Alcott? Could he have been in two places at once? Or was Stoney merely a figment of his unconscious mind? Or was he a figment of Stoney's mind? Milford had no answers to these questions. 

He resumed walking down the dim corridor, and after a minute the corridor came to an intersection, crossing another corridor going to the right and left, while the corridor he had been walking along continued straight ahead into shadows. 


Milford stopped again, pricking up his small, shell-like ears under his newsboy's cap. Faint sounds emanated from the corridor running to the left. He hesitated for a moment, and then went that way. After two minutes the corridor came to an end, crossed by another corridor going to the right and to the left. The sounds, less faint now, came from the left, and so he went that way, even though the corridor seemed to lead into darkness. He walked into the darkness, and he no longer knew where he was going, or why, but the sounds grew louder, and after a minute he saw a dim light up ahead. He continued to walk and the light grew less dim, until he came to a door with a bare lightbulb stuck in the wall above it. From behind the door came the sound of a gentle song, and on the door was a hand-painted sign.

The Island of Lost Poets
Fine Food and Drinks
We Never Close
Welcome

Milford knew he probably shouldn't, But, he thought, that's why I should.


He turned the doorknob, the door opened, he went inside, and the door closed behind him.

It was another dimly-lit barroom, much like all the other barrooms that Milford had known in his young life. Tables and booths, and to the right a long counter with stools. A song played, apparently from a jukebox. The place was filled with people. These must be the lost poets.

Milford was lost, he was a poet, albeit a bad poet. He should fit right in here. He went over to the bar.




Wednesday, May 1, 2024

"The Bold Romancer"


Another true tale of la vie de la bohème by Dan Leo

Illustrations and additional dialogue by rhoda penmarqfor quinnmartinmarq™ productions

This story brought to you by Husky Boy™ cigarettes

"Tired of always running out to the local newsstand for cigarettes? Do what I do, and stock up on 'family size' cartons of Husky Boys, available at most drug stores and fine tobacconists!" – Horace P. Sternwall, host of The Husky Boy Playhouse, exclusively on the DuMont Television Network
for previous story, click here

to begin series, click here





Keeping his huge hand on Milford's small shoulder, Mr. Whitman signaled to the bartender with a finger of his other hand, which was also huge. 

"Hey, Bret!" he shouted, boomed, declaimed. "When you get time."

"Yeah, I see you, Walt," called the bartender, who was shaking a cocktail in a shaker.

"When you get time," repeated Walt.

"When I get time," yelled the bartender.


Mr. Whitman leaned down and whispered in a voice like a hot scotch-redolent sirocco in Milford's ear.

"Bret's had a bee in his bonnet about me ever since I told him I thought his western tales had an undeniable homoerotic flavor to them."

Milford didn't care, but he didn't say so.

Instead he said, if one can be said to say the sound he made, "Um."

"This is the problem with writers," said Walt, no longer pretending to whisper, "they're so fucking sensitive. Oh, sorry, Miss Lou."


"What?" said Miss Alcott, who had been turned again toward the minstrel band and the dancers.

"Just said I'm sorry," said Mr. Whitman.

"For what?"

"I said a bad word in your presence."

"There are no bad words."

"Not even the F-word?"

"Not even that word," said Miss Alcott.


"Interesting," said Mr. Whitman. He finally took his heavy hand off of Milford's shoulder, and Milford felt that side of his torso rising up to the level of the other side, as if a great weight had been lifted from it. Which, he thought, is what had happened. "Now, tell me, dear Lou," said Mr. Whitman, "what are your thoughts on the C-word?"

Miss Alcott had turned toward the music and dancing again, and now she swiveled back around on her stool to look at Mr. Whitman, who was bringing his pipe out of the pocket of his workman's brown chore coat.


"What did you say?" she said.

"I asked you about the C-word," said Mr. Whitman.

"What about it?"

"Do you mind it being used in your company?"

From another pocket he took out a thick leather pouch.

"Are you deliberately trying to get on my last nerve, Walt?"


"Why, no," said Walt. He opened the pouch with thumb and finger and pinched out a big lump of something that looked like pigeon dung and stuffed it into the bowl of his pipe. "Just curious as to whether there are limits to what words you deem acceptable in mixed company."

"I deem no words unacceptable, be they in mixed or unmixed company."

"So you're giving me a free hand here."

"I'll give you a free back of my hand in about one second," she said.


Before a fight could break out, Bret the bartender was there.

"What do you want, Walt?"

"Ah, my good friend Bret!" boomed Mr. Whitman. He had put his leather pouch away and taken out a box of Blue Tip kitchen matches. "First off, and on my tab, another round of whatever my two friends here are drinking. What've you got there, Murphy, a grog?"

"My name's Milford," said Milford, "and I'm drinking a sarsaparilla."


"Sarsaparilla."

"Yes," said Milford. "And before you say anything, I'm pretty sure I told you before, I am an alcoholic, and so I don't drink alcohol."

"But I've seen you drink alcohol. I just saw you drink a grog back in the front bar."

"That was a mistake. I was confused, because of those mushrooms I ate, and the marijuana I smoked, not to mention that stuff in your pipe that you made me smoke."


"That "stuff' as you call it is, as I believe I told you, a blend of most excellent Kentucky burley and the finest Lebanese hashish, and it doesn't come cheap, and also I don't remember twisting your arm and forcing you to smoke it."

"I only smoked it because I was afraid you would beat me up if I didn't."

"I was only trying to be friendly."

"I'm sure you were," said Milford, although he was sure of no such thing, "but, nevertheless, um –"


"Yes?" said Walt.

"I've lost my train of thought."

"Happens to me all the time."

"Walt," said the bartender, "I'm busy. What do you want to drink."

"Oh, sorry, Bret," said Mr. Whitman. He lighted up his pipe with a kitchen match. The bartender looked annoyed, but he waited for Mr. Whitman to finish puffing. He exhaled an enormous cloud of thick musky smoke, and then said. "A nice hot grog for me. And whatever 'lady drink' Miss Lou is drinking, and another grog for my young friend Malone here."


"He was drinking sarsaparilla," said Bret.

"Give him a grog," said Mr. Whitman.

"I don't want a grog," said Milford. "Also my name is not Malone."

"Two grogs, and a lady drink for Miss Lou," said Mr. Whitman. 

"Coming right up," said Bret.

Mr. Whitman turned again to Milford.

"You don't happen to have any more of those mushrooms on you, do you? The sacred mushrooms of the noble red man?"


"No."

"I wish I had some of those."

"Well, I'm sorry, I don't have any."

"Are you still feeling them?"

"I think they're wearing off, I hope they are, anyway."

"Here, take a toke of this."

He offered the pipe to Milford.

"No thanks," said Milford. "As you can see I'm smoking a cigarette."

Mr. Whitman cast a cold eye on the pack of Husky Boys on the bar, and touched it with a finger.


"Those things will kill you, son."

"Sooner rather than later, I hope," said Milford.

"Spoken like a true poète maudit! But here's the thing about this stuff," said Mr. Whitman, raising up his pipe in an admiring sort of way. "It induces the dreams from which we extract poetry. A few bowls of this mixture, and I can knock out twenty pages of immortal verse as easy as falling off a log. Come on, take a hit, it's not going to kill you."

"If I 'take a hit', will you stop pestering me?"

"I promise."

"Good, give me that pipe."

Milford took the pipe and drew deep. What did it matter?


At least it wasn't alcohol, and he had to admit, there was something soothing about the smoke, something that seemed to flush away his worries, his fears, his awareness even of his own self. Mr. Whitman, smiling somewhere within his thick brindled beard, took out his box of kitchen matches again, struck one and held the flame to the bowl of the pipe as Milford continued to draw and puff.

"There you go, my lad," said the big man, who now seemed even bigger, "suck deep, my friend, deep within your lungs, but try to hold it in longer before exhaling, as long as you can."


Milford did as he was enjoined to do.

The music played, the dancers danced. 

At last Milford drew upon the pipe but nothing but stale air came through the mouthpiece.

"It's kicked," said Mr. Whitman, and he took the pipe. "How do you feel?"

"Um," said Milford, because that was all he was able to say.

"Take a drink of that grog now," said Milford.


There was a metal tankard sitting there, steam floating up from the liquid in it. Milford took up the tankard and drank.

Suddenly he heard a familiar voice.

"Now don't you feel better?" said Stoney, Milford's alter ego, from not so deep inside Milford's brain.

The singer of the minstrel band was singing another song now.


Through this old world I been a-rambling
from east to west from north to south
drinking and whoring and gambling
and these are the words that escape my mouth.

Don't you drink that rotgut whiskey
or that gin that's brewed in a tub,
just float down the mighty Mississippi,
giving your manhood a gentle rub

"Oh, I love this song!" cried Miss Alcott, swiveling about on her stool again. She tugged on Milford's arm, just as he was about to raise his tankard for a second gulp.


"Milford, you must dance with me!"

"Uh," he said.

"Come on, daddy-o!" cried Miss Alcott. "Are you going to live your whole life sitting out the great barn dance of life?"

"Um, yes?" said Milford.

"Never fear," boomed Mr. Whitman. "I shall dance with you, Lou!"

He held out his arm, she took it, climbed down from her seat, and off the two of them went to the dance floor.


"Okay," said Stoney, who was now standing next to Milford. "You blew that one, big time."

"I'm sorry," said Milford. "But I just couldn't."

"Hey, ya know what?" said Stoney. "It doesn't matter."

He picked up the tankard that Mr. Whitman had left on the bar, raised it up, and took a good long drink. He put the tankard back down and said, "Ahhh. Not bad. Okay. Get up, pal. We're gonna get you out of here."

"Really?" said Milford.


"Unless you want to stay."

Milford looked out at the dance floor. Miss Alcott and Mr. Whitman were dancing vigorously, Miss Alcott twirling around the big man, their raised hands touching fingers to fingers.

They were having what appeared to be a good time.

"I know," said Stoney, "I know, you were hoping to lose your virginity with her, but, let's face it, pal, I don't think that was going to happen. Not tonight, anyway. Come on."


"Should I finish this tankard of grog?"

"Well, that all depends. Do you want to feel like total warmed over dogshit all day tomorrow?"

"No," said Milford.

"Then let's go, now, while you're ahead."

"I'd hate for Miss Alcott to think I was being rude."

"She'll understand."


"You think so?"

"She's a trained novelist. Of course she'll understand. Now let's go."

Milford climbed off of his stool. He wavered, and swayed, and wobbled, but he did not fall.

The singer sang.

Oh I'm a bold and brave romancer
wandering round through hill and dale.
Folks say I'm just a chancer
as I walk through snow and rain and hail.

Yes, I am a bold romancer
and I will sing my song real loud.
I am also a hearty dancer
and I do the race of man right proud…