Wednesday, May 29, 2024

"A Fantastical Supposition"


Another tale of la vie de la bohème, by Dan Leo

Illustrations and additional dialogue by rhoda penmarq, exclusively for quinnmartinmarq™ productions

This episode made possible in part through the generous support of the Husky Boy™ Tobacco Company Foundation for the Furtherance of the Arts

"Smooth, yet strong, rich, yet soothing – Husky Boy cigarettes are the 'secret fuel' for all my creative endeavors!" – Horace P. Sternwall, author of Musings of a Merry Misanthrope

for previous story, click here

to begin series, click here





"Perhaps you are wondering why I dragged you away from the bar," said the woman in black named Margaret.

"Yes, the question had passed through the private mental ward I call my brain," said Milford.

"I'll tell you why," she said. "If you want me to."

Would she say it was because she found him sexually attractive? As fantastical as that supposition might be? But, no…


"I will take your silence as an affirmative," she said. "And the reason I dragged you by main force away from the bar and to this table was simply that I just couldn't bear to see that ghoul Ezekiel drooling all over you. Let him find some other catamite."

"But I'm not a catamite."

"Are you quite sure of that?"

"I am quite sure of nothing."

"Let me reformulate the question. Have you ever had sexual relations with a male human being."


"No," said Milford. "But –"

"But what?"

"But I've never had sexual relations with a female human being either."

"Please don't be offended if I say I'm not surprised."

"I won't be."

"Take comfort if you will in the thought that sexual relations are invariably unpleasant."

"I will try to do that." 


Milford saw his beer glass there, and, forgetting that "he didn't drink", he picked up the glass and drank.

Sighing, for the twelve-thousandth-and-twenty-fourth time since he had unwillingly emerged from sleep long ago the previous morning, he set the glass back down, as another sad song played on the jukebox.

"Masturbation, however," said the lady, "is another matter entirely. How enjoyable to suffer as many orgasms as one can manage, and not have to share one's bed with some malodorous oaf, and to listen to his drivelings, before, during, and especially after. Not to mention his labored post-coital snoring."


"Uh," was Milford's only vocalized response.

Suddenly the waitress appeared again out of the fog of tobacco smoke, carrying her tray with two highball glasses on it.

"Oh, thank you, Ruthie," said Margaret, Margaret Blackthorne was it? "Please start a tab for me. We may be here for some time."

"Thumper said the round is on the house," said the waitress, putting down the drinks. "He said the next six rounds will also be on the house, on account of you have to put up with so much shit from all the male and lesbian and even hermaphroditic lost poets in this place, on account of you are the only truly beautiful woman in here."


"Yes, we all have our crosses to bear," said Miss whatever her name was. "Tell Thumper I thank him, and that I should like to buy you and him the shots of your choice."

"You ain't got to buy us shots, Margaret. We drink shots all the time, just to ease the horror of working here. It's like one of the perquisites of the job, even a necessity you might say." The waitress turned her gaze on Milford. She was a very short, round-faced woman with orange hair, but Milford knew that if it came to it she could beat him easily in a fight. "You better be nice to her, buddy. You don't know what an honor it is to have Miss Blackbourne invite you to sit with her at a table."


"I intend to be nice," said Milford, thinking, Blackbourne, I must remember that

"Oh, wait a minute," said the waitress, "are you a poofter?"

"A what?"

"Are you a member of the American homosexual community?"

"Not that I know of."

"'Cause you look kind of queer."


"No, I'm only a bad poet."

"You finished with that beer by the way?"

"Oh," said Milford, and he raised his beer glass, swallowed what was left in it, and handed the glass to the waitress, who put it on her tray.

"I'll be back in five minutes or so to see if you guys need a refill," she said.

"Thank you, Ruthie," said Miss Blackbourne, not Blackthorne, and the waitress disappeared into the smoke and the babble again.


"Read the poem," said Miss Blackbourne.

"What?" said Milford.

"Theodore's poem. Read it aloud. I could use a laugh."

Milford looked at the sheet of paper on the table.

"I'm not a very good reader," said Milford. "I've been told I recite in one of those awful sing-song 'poet's voices' that poets read with."


"I would expect nothing less, and all the better. Now read."

Milford took a sip of the drink the waitress had put in front of him. It tasted like a highball, scotch and soda, not his favorite drink, but then he shouldn't be drinking at all. How many times had he already "slipped" this endless evening and night? Was it a half-dozen times? At this rate he would have enough material for a full year of AA meetings.

He cleared his throat, took a drag of his Husky Boy, lifted the sheet of paper closer to his nearsighted eyes, and began to read, aloud.


For Margaret: a Paean of Praise

They call her the Black Widow, the black widow spider
but all I desire is to sit down beside her,
to drink in her beauty, like rich red wine,
and then, having drunk it, to feel so very fine.

And were she to touch me, her flesh upon my flesh,
it would be all I could do not to get a trifle fresh,
and if she then slapped me, as I'm sure she would,
the sting would surely cause a stirring in my manhood.

Oh, Margaret, dear Margaret, goddess of gloom, 
won't you take me up into your room,
my heart beating like that of a spastic,
where we can trip the light fantastic?

Milford paused his reading, and looked at the lady, smoking her black-and-silver cigarette.


"Do you want me to continue?" he asked.

"Yes," she said, "pray continue."

Milford took a deep breath of the smoky air, and continued.

Yes, and will you allow me to enter your fleshly pocket,
to thrust and burrow deeply like a rocket
into the vast dark reaches of inner space,
or shall I be relegated to celibate disgrace?

Dear Margaret, please allow me just one chance
to stand before you with lowered pants
my trembling grasping hands outstretched,
and all my wretched soul upon you retched.

Milford put the sheet of paper down, picked up his highball and took another drink.

"Why did you stop?" said Margaret.


"I just needed a little break. There's a lot more as you can see. His handwriting is very small, and he's filled up both sides of this sheet of paper."

"Please feel free to take a rest."

"Thank you."

"And now do you see why I'm not crazy about sexual relations?"

Milford sighed again. Was this sigh the twelve-thousandth-and-twenty-fifth sigh of this long day and night's journey into endless night, pace Eugene O'Neill?


"Yes," he said, "if this poem is any indication, I can understand your, uh, disaffection."

"If you were a woman you would understand even better."

A voice spoke in Milford's brain, a familiar voice he hadn't heard in a half hour or so.

Well, I guess you better not get your hopes up, Milford, said the voice, the voice of his alter ego, named Stoney.

"Don't worry, my hopes are far from up," said Milford.


"What?" said Miss Blackbourne.

"Oh, I'm sorry," said Milford. "I wasn't addressing you."

"And whom, may I ask, were you addressing?"

"A voice in my head," he said. "Myself. Part of myself. No one."

She took a good drag of her black cigarette, and then stubbed it out in the ashtray that was there.


"I'm starting to find you strangely attractive, Murphy," she said.

Yes, said the voice in Milford's head, yes! Maybe there's still a chance after all?

"I'm not so sure of that," said Milford, aloud. 

Miss Blackbourne said nothing, as yet another sad song of lost love played on the jukebox.





Wednesday, May 22, 2024

"A Paean of Praise"


Another tale of the poet's life by Dan Leo

Illustrations and additional dialogue by rhoda penmarq, exclusively for quinnmartinmarq™ productions

This episode is brought to you by Husky Boy™ cigarettes, now available in the ten-carton Econo-Smoke™ box

"Hey, you only go through this crazy carnival called life once, so you might as well fire up a soothing but strongly flavorful Husky Boy!" – Horace P. Sternwall, author of the new "Father Mike" mystery Murder at the May Procession 

for previous story, click here

to begin series, click here





She gazed, smoking, out at the smoky barroom and Milford realized that in the preceding confusion he had left his own most recent cigarette burning in the ashtray at the bar, and that it was therefore incumbent upon him now to light up another. It was true, this situation was awkward, and there was nothing to be done in any awkward situation but to light up a cigarette. He dug out his pack of Husky Boys and his Ronson, and soon enough, after clicking the lighter no more than six times, he had a cigarette ignited and in his lips, and as he appreciated the hot rasping feeling in his weak and ravaged lungs it occurred to him that every single and general situation in his life had been awkward, up to and including this present moment.


No wonder he had so many nightmares, because science had not yet devised a way to allow human beings to smoke while they slept.

The woman named Margaret Blackbourne now steered her gaze toward Milford.

"I like it that you know how to remain silent. It's a rare quality in any man, the ability to keep his thoughts to himself, rarer still amongst poets, and all but nonexistent among so-called lost poets. Of which cohort I assume you are one."


"It's true I am lost," said Milford, after a minute's pause, while another sad song sung by a sad woman played on the jukebox and the ghostlike figures in the bar babbled. "But as for being a poet, I realized today that I have only written bad poetry."

"So you are a lost bad poet."

"Yes," said Milford, after a shorter pause. "I would say that is an accurate description."

A man emerged from the smoke and stood at their table.


He wore a long dark cloak-like coat, and a Greek fisherman's cap. His skin was pale grey, his cheeks hollow, as were his eyes, on either side of a nose that was long and sharp. His face was stubbled with dark whiskers, and he held a brown cigarette.

"Why do you torture me, Margaret," the man said.

"Why do you torture me, Theodore?"

"I torture you only because you torture me."

"Exactly the same reason why I torture you," she said. "Oh, by the way, Milvern is it?"

"Milford actually," said Milford.

"Milford," she said, "meet Theodore. A fellow lost poet."

"I prefer the term poète maudit," said the man.

"No one cares what you prefer, Theodore," said Margaret.

"Hello," said the man to Milford.

"Hello," said Milford. He stood up awkwardly and awkwardly extended his hand, but then realized he was holding his cigarette in that hand.

He quickly shifted the cigarette to his left or non-shaking hand, and re-offered his right hand.

"I will accept your handshake," said the man, "but only grudgingly and because I don't want to make a scene." 

They shook hands, and, thank God (in whom I fervently and now more than ever do not believe, thought Milford), the man's handshake was weak, even weaker than Milford's, which was certainly weak, from a lifetime of taking no exercise more vigorous than the lighting of cigarettes.


"Pleased to meet you," said Milford, withdrawing his hand with a slight slithering sound.

"I wish I could say the same," said the man. "I hope you know that Margaret will destroy your manhood."

"Well, we've only just met," said Milford. "But–"

He paused.

"But what?" said the man called Theodore.

"But I'm not so sure I have a manhood to destroy," said Milford.

Now the man paused, as Milford stood there, awkwardly.

"Damn you," said the man, finally. "Damn you and all your kind."

"If you're wishing me to be damned to hell," said Milford, not knowing what he was going to say, "that may well happen, if there is a hell, and if if men are to be damned to it for being lazy talentless layabouts."


"Damn your eyes," said the man. "If I were not a coward I should slap you, not just once but twice, one with open hand and one back handed."

"It's always good to meet a fellow coward," said Milford.

"Yes, that's true," said the man. "Perhaps not good, but not bad." He turned to Margaret. "I'm almost starting to like this fellow, Margaret."

"What?" she said.


"I said I'm almost starting to like your new paramour."

"Who gives a damn who you like or don't like, Theodore?"

"It should be 'whom' I like or don't like."

"Oh, fuck off."

"I beg your pardon."

"I said fuck off."

"Do you mean that in the physical sense, or the metaphorical?"


"I mean it in every possible sense."

"You're saying you want me to quit your presence."

"Yes."

"Very well. If you want me to leave, I shall."

"Good."

"Don't beat about the bush, just say it."

"Fuck off."

"Just say it and I'll never trouble you with my presence again."


"Okay," said Margaret. She took a drag of her cigarette, exhaled a great cloud of smoke, and then repeated, "Fuck off."

"Oh," said the man. "And you really mean that?"

"Yes," she said.

"Okay, fine, I'll leave then, gladly." he said. "But first, here."

He reached into the depths of his cloakish coat and came out with a folded-up sheet of paper. He unfolded it and proffered it to Margaret. She ignored it.


"It's a poem," he said.

"Why am I not surprised?" she said.

"Do you want me to read it to you?"

"No," she said.

"Okay," he said. "I'll just leave it on the table here." 

He placed the sheet of paper on the table.

"You can read it whenever you get a chance, a spare moment."


She said nothing.

Milford was still standing there, awkwardly.

"You can read it too, Millibrand," said the man. "You seem like a sensitive guy."

"Oh, okay," said Milford. "Thanks."

"You're welcome," said the man. "But please bear in mind that I just wrote it not five minutes ago, so it might still be a bit raw. I might need to do a few small revisions."

"Okay," said Milford.


"I am a great believer in the first bold flush of inspiration, and yet even the most brilliant effusions sometimes need a bit of rewriting, a slight touch of polish. Don't you agree?"

"Yes, I suppose that's so. But then also I suspect that no amount of rewriting or polishing can save something that was essentially rubbish from the start."

"An interesting thesis, but I am not sure I agree."

"I'm not sure I agree either," said Milford.


"Nonetheless, I'd actually be interested in hearing your thoughts."

"My thoughts?"

"Yes."

"About –"

"About my poem."

"Oh, right, sure."

"What did you say your name was again. Melliford? That's an odd name for a first name."


"I, uh," said Milford.

"Theodore," said Margaret.

"Yes?" said Theodore.

"Fuck off," she said.

A waitress came over, carrying a round bar-tray under her arm. At least Milford assumed she was a waitress, as she wore a black apron over her pale grey smock.

"Do you want me to find you a chair?" she said to Theodore.


"No, Ruthie," said Margaret. "He's not staying."

"I wouldn't mind sitting for a bit," said Theodore. "We could read my poem, and then discuss it."

"I would rather punch myself in the face," said Margaret. "Repeatedly."

"We don't have to read the poem right now."

"Don't make me put this cigarette out in your hand, Theodore," said Margaret.


"I wish you would," said Theodore. "I should wear the scar like a badge of honor."

"I wish I had a drink so I could throw it in your face," said Margaret.

"Speaking of which," said the waitress, "can I get you a drink, Margaret?"

"Sure, Ruth," said Margaret, "tell Thumper I'll take my usual, and better bring my friend Milburn here another glass of beer."

"Oh, that's okay," said Milford, "I don't want another beer."


"Bring him what I'm drinking then," said Margaret.

"I would like an absinthe," said Theodore.

"I'm sure you would," said Margaret, "but you're not drinking it at this table."

"So you would really like me to go."

"Yes," said Margaret.

"You know, I wrote that poem for you."

"I have no doubt."


"Poured out my heart and soul."

"Milbert," said Margaret.

"Me?" said Milford.

"Yes, whatever your name is, if this fellow doesn't leave at once I want you to punch him. I would do it myself, but I like to think I am a lady."

"But," said Milford.

"But what?"

"I have never punched anyone in my life."


"Then it's high time you learned how. Give him a good hard right to the breadbasket, that way you're less likely to hurt your hand."

"All right, all right, there is no need for violence, I'm going," said Theodore. "Ruthie, would you please bring me another absinthe to my table, with another small carafe of water? Oh, and I may need some more sugar cubes."

"Sure, Teddy," said the waitress, and she walked away.

"Well, okay, I'm going then," said Theodore.


"Goodbye," said Margaret. "And good riddance."

Theodore addressed Milford again.

"Let me know what you think of the poem. I'll be sitting across the room there with some other chaps, they're all poètes maudits as well."

"Uh," said Milford.

At last the man went away, into the smoke.

"You can sit down now," said Margaret.

"Oh, right," said Milford, and he took his seat again. 

The sheet of paper was lying right there. It was covered in scrawled ink. Idly Milford turned the paper with his fingers so that the writing was facing him. Centered at the top of the page were written the words

For Margaret: a Paean of Praise





Wednesday, May 15, 2024

"Black Widow"


Another true tale of la vie de la bohème by Dan Leo

Illustrations and additional dialogue by rhoda penmarq, exclusively for quinnmartinmarq™ productions

This episode is brought to you by Husky Boy™ cigarettes, now available in the new "Ladies' Ultra Slim Cork Tip", in your choice of four vibrant colorways: Passionate Pink, Marvelous Mauve, Vibrant Violet, and our newest addition, Elegant Ebony

"The first thing my dresser hands me after a show is a soothing Husky Boy Ladies' Ultra Slim Cork Tip!" – Hyacinth Wilde, star of the Demotic Theatre's smash new production of Horace P. Sternwall's Canyons of the Lonely Heart

for previous story, click here

to begin series, click here





There was one empty stool at the bar, and Milford claimed it.

Milford may have been young, but he knew the routine.

The first thing you did when you took a stool at a bar was to take out your cigarettes and light one up, and this Milford did, adding his own smoke to the smoke that every single other person in this barroom was emitting. And after that first satisfying exhalation it occurred to him that of all the smoky bars he had ever been in, this was undoubtedly the smokiest, which was fine by Milford.


There was only one rule in a severely smoky bar, and that was never to rub your eyes, because then you were only rubbing the microscopic smoke granules deeper into your eyeballs, causing them to burn and flood with hot tears, and obliging you to make haste to the men's room in order to rinse your globules of vision copiously with cold water so that you could return to your seat and fire up another cigarette.

"Haven't seen you in here before," said a man to Milford's right.

"No, this is my first time," said Milford.


"I daresay it won't be the last," said the man.

His face was long and depressing, the skin the color of old paper, with one of those ugly weak goatees with the pale flesh showing through the thin whiskers, less convincing than the fake goatees that aristocratic art dealers and sadists wore on the stage and in films. On his head was a beret the color of soot, and he wore a tweed topcoat, the shoulders sprinkled with dandruff. Around his neck was a scarf, black like the beret, but with a greasy sheen.

"Pray do not look on me with disgust," said the man.


"I wasn't," lied Milford.

"I was once young like you."

"I don't doubt it," said Milford.

"Now I am the eternal 40-year-old, but the sort of 40-year-old who already gives off a faint odor of the sepulcher. Am I to be reviled and shunned for this?"

"No," said Milford.

"Just you wait, your time will come."

"I'm sure it will," said Milford, "unless I die first."


"Ah ha!" said the man, baring yellow jagged teeth. "Spoken like a true lost poet!"

He glared through the smoke at Milford with eyes that were bloodshot and milky at the same time.

"What do you want, buddy."

This was said by a bartender, or at least a big man pretending to be a bartender. He wore a red vest and a bowtie, and his face was bloated and shiny with a thin sheen of oil.

"I don't want anything," said Milford.


"You can't just sit here and take up space," said the bartender, or the man pretending to be a bartender.

"Do you have sarsaparilla?" asked Milford.

"No, we don't have fucking sarsaparilla," said the bartender.

"How about a ginger ale?"

"What are you, one of these reformed drunks?"

"Yes," said Milford.


"Well, fuck you," said the bartender. "Order a real drink or get the fuck out."

"Okay," said Milford. "I'll go."

"Wait, Thumper," said the man with the goatee. "I'll buy him a real drink. How about a ginger ale but with a nice shot of rye in it, my friend, just to give it a bit of oomph?"

"No thanks," said Milford.

"Bourbon then. Bourbon and ginger. A classic American libation."

"I don't drink alcohol."


"You look drunk to me," said the man.

"Well, it's true, I did drink a bit tonight, without really meaning to, but I also ate the sacred mushrooms of the Indians and smoked hashish."

"Well, that it explains it then," said the man. "Thumper, bring my friend what I'm drinking, and I'll pay for it."

"Fine," said the bartender impersonator, and he went away.


"Thumper gets testy," said the man. "It's hard serving poets, but it's especially hard serving lost poets."

"Yes, I imagine it is," said Milford.

"My name is Ezekiel Montayne," said the man, offering his hand, which was thin and pale, with tiny black hairs like spider legs on it.

"Oh, hi," said Milford, reluctantly shaking the man's hand. It felt like shaking a dead lizard, and Milford withdrew his own hand as quickly as he could.


"I don't blame you for recoiling from my touch," said the man who had given his name as Ezekiel Montayne. "I would too, were I not I. Imagine how I feel, encased in this prison of flesh?"

"Yes, it must be hard," said Milford.

"You don't know," said this Ezekiel Montayne. "No one knows the horror I experience simply by being me."

"Here's your 'libation'," said the bartender, and he set down a glass with something yellow in it, with a thin layer of yellow-white foam at the top.


"What's this?" said Milford.

"What's it look like?" said the bartender.

"Beer," said Milford.

"Bingo," said the bartender. "Give the man a prize. That'll be a nickel, Ezekiel."

"Oh, yes," said Ezekiel. He reached inside his topcoat and into his trousers pocket and brought out a small change purse made out of faded purple cloth. He clicked it open, took out a nickel, and laid it on the counter. The bartender picked it up.


"Thanks, big spender," said the bartender, and he went away again.

"See?" said Ezekiel. He clicked his purse shut. "He said thanks. At least he's polite." He stowed his purse back in his pocket. "Go ahead, drink your beer, pal."

"I've already said I don't drink."

"It's only beer. Look, I'm drinking one." He pointed to a half-full glass in front of him, picked it up, and took a sip. "Mm, so refreshing."

"I'm not supposed to drink. I'm an alcoholic."


"Well, so am I, but I'm drinking," said Ezekiel. "You don't see me making a big deal out of it."

"Maybe I'd better just go," said Milford.

"You would insult me by refusing a beer I purchased for you?"

"You drink it."

"But I bought it for you. Why do you want to make me feel bad? Don't I feel bad enough simply by existing? And you would make me feel worse?"


"Oh, Christ."

"One little glass of beer is not going to kill you."

Milford gave a quick sigh, the twelve-thousandth-and-twenty-third sigh of this seemingly endless day and night, and then he lifted up the glass in front of him and put it to his lips and drank. He drank approximately one-third of its contents and then put the glass back down.

"Well, how was it?" said Ezekiel Montayne, showing his yellow teeth in a hideous smile.


"Superb," said Milford, even though it tasted no better or worse than any other beer you got in a bar.

"I'm so glad you like it," said Ezekiel. "It's the house brew. Lost Poets Lager. Get it? This bar is called the Island of Lost Poets, and the house beer is called Lost Poets Lager."

"Yeah, that's pretty clever," said Milford.

"What's your name?"

Milford sighed for the twelve-thousandth-and-twenty-fourth time since falling unwillingly into wakefulness that morning.


"I prefer just to be called Milford."

"Oh," said Ezekiel. "What's your real name?"

"My real name is Milford, but it's my last name, and before you can ask me, my first name is Marion."

"And that's why you prefer to be called Milford."

"Correct."

"Because Marion is a feminine name."

"It can be, yes."


"I would say it usually is."

"Just call me Milford."

"Okay, Milford."

"He's not queer, Ezekiel," said a woman's voice to Milford's left.

Milford turned. The voice apparently belonged to a woman all dressed in black, with a tiny black pillbox hat on her head.

"What?" said Milford.

"I was telling Ezekiel you're not queer."


"Oh," said Milford.

"So he should give up."

"You meddling intrusive bitch," said Ezekiel, to the woman. "I was only trying to be friendly with the young chap."

"We all know what that means, Ezekiel," said the woman.

"How dare you."

"The boy walks in here, and before he can even order a drink you're trying to seduce him."


"Pardon my French, but you're being a frightful C-word, Margaret."

"Don't call me a C-word, you desiccated ponce."

"Desiccated am I? No more than that Gobi Desert you call your womanhood."

"Come on, chum," said the woman to Milford. She polished off the drink she was holding, then slipped off her stool and tugged at Milford's arm. "Grab your beer and come with me."


"Where are we going?" asked Milford.

"Anywhere away from this two-bit poofter. Let's go. Don't forget that beer. And your cigarettes and lighter."

"You frightful twat, Margaret," said Ezekiel. "There, I said it, twat, and I don't regret it."

"You're a bigger twat than I'll ever be, Ezekiel," said the woman, and to Milford she said, "Don't forget your cigarettes and lighter, honey."

Milford scooped up his pack of Husky Boys and his lighter, stuck them in his peacoat pocket, picked up his beer and got off his stool. He was afraid of the woman, but he was more afraid of Ezekiel.


"Nice meeting you, Milford," called Ezekiel.

At least he had remembered his name, thought Milford.

"Well, thanks for the beer," he said, now feeling slightly sorry for the fellow.

"You're so very welcome," said Ezekiel. "Oh, and by the way, if it comes to that, I implore you, please use a condom, for your own protection if not for Margaret's."

"Asswipe," said the woman, apparently named Margaret, and she took Milford by the arm and pulled him away.

Could this be it? wondered Milford. After all the travails of this endless day and night, could this at last be his chance to divest himself of his virginity?

As the woman pulled him along through the smoke, through the vague babble of voices and the recorded voice of a lady singing a sad song, he stole a glance at her.


She was almost the same height as Milford, but then Milford was not tall. Her grip on his arm felt strong, probably stronger than Milford's were he ever to grip something, which he had never done. Her skin was the color of snow, the hair under her small black hat was also black, falling to the shoulders of her black dress. Could she possibly be a nun of some sort? It was a matter of indifference to Milford if she were a nun, he held all religions in equal contempt. She looked older, perhaps thirty or even thirty-five, but this also did not matter to Milford. Surely it was better to have his first time be with a woman who actually knew what she was doing. He hoped she would be patient, and perhaps even kind.

They came to a small round table in a corner, it looked like the only empty table in the room.

"Okay," she said. "Sit down."


"May I help you with your chair?" said Milford, who had seen this maneuver in films and plays.

"I can pull my own chair out," she said, and she did, and sat down. Milford was not a very observant fellow, and so he only now noticed that she carried a handbag, which seemed to be made of black leather, and which she put on the table and clicked open, taking out a black-and-sliver cigarette case and a thin ebony lighter. She looked up at him.

"I told you to sit down."


"Oh, sorry," said Milford, and he pulled the empty chair out and sat, putting his beer glass on the table.

"My name is Margaret Blackbourne," said the woman. She opened the cigarette case and took out a black cigarette with a shiny silver-colored filter. "They call me the Black Widow, but please do not be put off by that."

Milford quickly started to dig his cigarette lighter out, but she beat him to it, lighting herself up with the lacquered ebony lighter.

"I haven't ever actually killed one of my lovers," she said, exhaling a cloud of smoke into the greater cloud of smoke all around them. "Not yet I haven't, anyway."